Label: Lost Domain – DOMA21LP
Format: Vinyl, LP, Album, Limited Edition, Embossed Jacket
Country: UK
Released: Apr 2026
Genre: Electronic
Style: Abstract, Experimental,
It’s a swift one-two from Kiran Sande’s post Blackest / Low Company outpost Lost Domain, quickly following that enigmatic Seraphin LP with bout of oblique electronics and glum techno from shapeshifting Jolly Discs bard Thomas Bush.
Feels like not many contemporary artists have the ability to explore and expand within different styles whilst retaining the essence of what make them, them. Bush does this well. Yoking together strains of slouchy bedsit DIY songwriting and dilapidated techno with a recognisably English sense of malaise. Guld learns heavier on the electronics than any of his previous outings, juxtaposing stern (occasionally pummelling) rhythms and abstract pulses against his distant worldweary croon. The few pieces of strung out dilapidated techno exist in their own bombed-out nocturnal landscape (it’s never a bad time to rewatch the opening of Terminator 2), eventually coming up for air on the on the surreally intimate ‘Galver’ with it’s plaintive dissonant guitar and strong echos of Old and Red. It’s a strange and somewhat detached experience, yoking together stains of both old and new with a feint common ancestery with the RAP stuff, John T Gast, Raffael Serra’s rhythmic geometry and the runaway future tekno of Conrad Pack. Music for the end of the world? (Mint / New - 1 pp)
Tracklist
A1 Down A Precipice
A2 Escovitch
A3 Excommunication
B1 A Pressure
B2 Galver
B3 Seether
