Paul Beaver & Bernard L. Krause – The Nonesuch Guide To Electronic Music
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Label: Nonesuch – HC-73018 Format: 2 x Vinyl, LP Box Set Country: US Released: 1968 Genre: Electronic, Non-Music Style: Modern Classical, Experimental, Education, Sound Collage
Early electronic demonstration LP.. (NM)
Tracklist A1 I. Peace Three 3:08 II. Signal Generators A. Sine Waveform A2a 1. Slow-Motion Audible Example 0:05 A2b 2. Composition 0:50 A2c 3. Harmonic Synthesis 0:33 A2d 4. Non-Harmonic Synthesis 0:37 B. Sawtooth Waveform A3a 1. Slow-Motion (Negative- And Positive-Going) 0:12 A3b 2. Composition 0:34 C. Rectangular Waveform A4a 1. Slow-Motion Audible Example (1/8-1/2) 0:28 A4b 2. Composition (Using 1/8, 1/7, 1/3, 1/2) 0:35 D. Triangular Waveform A5a 1. Slow-Motion Audible Example 0:05 A5b 2. Composition 0:20 - A6 E. White Sound Composition 0:13 III. Control Generators A7a A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08 A7b B. Sequential Voltage Sources. Composition 1:55 IV. Frequency Modulation A. Keyboard Control B1a 1. 12-Tone 0:32 B1b 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40 B1c 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31 B1d 4. Portamento 0:23 - B2 B. Ribbon Control 0:30 C. Periodic B3a 1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28 B3b 2. Sine-Higher Frequency 0:27 B3c 3. Sawtooth-Swept 0:38 B3d 4. Rectangular 1/2-Swept L2 0:32 B3e 5. Triangular-Swept 0:31 D. Periodics Combined B4a 1. 3 Square Waves At Different Frequencies 0:28 B4b 2. 3 Triangular Waves At Different Frequencies 0:37 B4c 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46 - B5 E. White Sound 0:12 F. Transient B6a 1. Up An Octave, Back To Pitch 0:17 B6b 2. Up A 3rd, Back To Pitch 0:07 B6c 3. Down An Octave, Back To Pitch 0:09 B6d 4. Down A 3rd, Back To Pitch 0:13 V. Amplitude Modulation C1 A. Keyboard 0:13 C2 B. Ribbon Controller 0:10 C. Periodic C3a 1. Tremolo 0:25 C3b 2. Sine-Higher Frequencies (S Sweeping S) 0:47 C3c 3. Sawtooth (Negative- And Positive-Going Swept) 1:20 C3d 4. Rectangular-L2 Swept 0:28 C3e 5. Triangular-Swept 0:50 D. Periodics Combined C4a 1. 4 Square 0:44 C4b 2. 3 Triangular 0:23 C4c 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ 0:23 - C5 E. White Sound 0:38 F. Transient C6a 1. Slow 0:08 C6b 2. With Rising Pitch 0:15 C6c 3. ∧∧∧∧∧ 0:14 VI. Ring Modulation A. Sine Waves C7a 1. Series Of Sub-Audible Constants 2:00 C7b 2. Tune In Parallel 0:40 C7c 3. Tuned In Opposite Direction 0:30 - C8 B. Sawtooth 0:33 C9 C. Rectangular L2 0:39 VII. Filtering D1 A. White Sound - With Fixed Filters Selected 3rd Octave 0:25 B. White-Sound-Tuned Filters D2a 1. Broad 0:43 D2b 2. Sharp 0:25 - D3 C. Low-Frequency Sawtooth-Tuning Through Harmonics 1:05 D4 D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics 0:50 D5 E. Swept With Ribbon Controller 0:40 F. Periodic D6a 1. Sine-Timbre Vibrato Effect 0:25 D6b 2. Sine-Variable Rate And Depth 0:36 D6c 3. Sawtooth (Descending And Ascending) 0:50 D6d 4. Rectangular G. Transient (Sawtooth With Transient Controlled Filter) D7a 1. ----------------- 0:12 D7b 2. ----------------- 0:10 D7c 3. ------------------ 0:09 D7d 4. ------------------ 0:08 VIII. Tape Delay D8 A. Single Repeat 0:13 D9 B. Multiple Repeat 2:55 - D10 IX. Peace Three (Recap) 3:08
