Paul Beaver & Bernard L. Krause – The Nonesuch Guide To Electronic Music

Label: Nonesuch – HC-73018
Format:
2 x Vinyl, LP
Box Set
Country: US
Released: 1968
Genre: Electronic, Non-Music
Style: Modern Classical, Experimental, Education, Sound Collage

Early electronic demonstration LP.. (NM)

Tracklist
A1 I. Peace Three 3:08
II. Signal Generators
A. Sine Waveform
A2a 1. Slow-Motion Audible Example 0:05
A2b 2. Composition 0:50
A2c 3. Harmonic Synthesis 0:33
A2d 4. Non-Harmonic Synthesis 0:37
B. Sawtooth Waveform
A3a 1. Slow-Motion (Negative- And Positive-Going) 0:12
A3b 2. Composition 0:34
C. Rectangular Waveform
A4a 1. Slow-Motion Audible Example (1/8-1/2) 0:28
A4b 2. Composition (Using 1/8, 1/7, 1/3, 1/2) 0:35
D. Triangular Waveform
A5a 1. Slow-Motion Audible Example 0:05
A5b 2. Composition 0:20
-
A6 E. White Sound Composition 0:13
III. Control Generators
A7a A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08
A7b B. Sequential Voltage Sources. Composition 1:55
IV. Frequency Modulation
A. Keyboard Control
B1a 1. 12-Tone 0:32
B1b 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40
B1c 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31
B1d 4. Portamento 0:23
-
B2 B. Ribbon Control 0:30
C. Periodic
B3a 1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28
B3b 2. Sine-Higher Frequency 0:27
B3c 3. Sawtooth-Swept 0:38
B3d 4. Rectangular 1/2-Swept L2 0:32
B3e 5. Triangular-Swept 0:31
D. Periodics Combined
B4a 1. 3 Square Waves At Different Frequencies 0:28
B4b 2. 3 Triangular Waves At Different Frequencies 0:37
B4c 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46
-
B5 E. White Sound 0:12
F. Transient
B6a 1. Up An Octave, Back To Pitch 0:17
B6b 2. Up A 3rd, Back To Pitch 0:07
B6c 3. Down An Octave, Back To Pitch 0:09
B6d 4. Down A 3rd, Back To Pitch 0:13
V. Amplitude Modulation
C1 A. Keyboard 0:13
C2 B. Ribbon Controller 0:10
C. Periodic
C3a 1. Tremolo 0:25
C3b 2. Sine-Higher Frequencies (S Sweeping S) 0:47
C3c 3. Sawtooth (Negative- And Positive-Going Swept) 1:20
C3d 4. Rectangular-L2 Swept 0:28
C3e 5. Triangular-Swept 0:50
D. Periodics Combined
C4a 1. 4 Square 0:44
C4b 2. 3 Triangular 0:23
C4c 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ 0:23
-
C5 E. White Sound 0:38
F. Transient
C6a 1. Slow 0:08
C6b 2. With Rising Pitch 0:15
C6c 3. ∧∧∧∧∧ 0:14
VI. Ring Modulation
A. Sine Waves
C7a 1. Series Of Sub-Audible Constants 2:00
C7b 2. Tune In Parallel 0:40
C7c 3. Tuned In Opposite Direction 0:30
-
C8 B. Sawtooth 0:33
C9 C. Rectangular L2 0:39
VII. Filtering
D1 A. White Sound - With Fixed Filters Selected 3rd Octave 0:25
B. White-Sound-Tuned Filters
D2a 1. Broad 0:43
D2b 2. Sharp 0:25
-
D3 C. Low-Frequency Sawtooth-Tuning Through Harmonics 1:05
D4 D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics 0:50
D5 E. Swept With Ribbon Controller 0:40
F. Periodic
D6a 1. Sine-Timbre Vibrato Effect 0:25
D6b 2. Sine-Variable Rate And Depth 0:36
D6c 3. Sawtooth (Descending And Ascending) 0:50
D6d 4. Rectangular
G. Transient (Sawtooth With Transient Controlled Filter)
D7a 1. ----------------- 0:12
D7b 2. ----------------- 0:10
D7c 3. ------------------ 0:09
D7d 4. ------------------ 0:08
VIII. Tape Delay
D8 A. Single Repeat 0:13
D9 B. Multiple Repeat 2:55
-
D10 IX. Peace Three (Recap) 3:08