Alain Pierre – Vase de Noces
Alain Pierre – Vase de Noces
Alain Pierre – Vase de Noces
Alain Pierre – Vase de Noces

Alain Pierre – Vase de Noces

Regular price £22.00 Sale

Label: MYDY – 4OO.un, Sub Rosa – SRV582
Format: Vinyl, LP, Album, Limited Edition, Stereo
Country: Belgium
Released: 26 Sept 2024
Genre: Electronic, Classical, Stage & Screen
Style: Soundtrack, Baroque, Early

The first ever publication of the original soundtrack composed by Alain Pierre for the Belgian cult film Vase de noces, directed by Thierry Zeno in 1974... Limited edition of 400 copies with screen-printed sleeve. (Mint / New)

In memory of Alain Pierre: 1948 - 2024

Vase de noces was made with very little money. Thierry used 16mm reversal film, utilizing the ends of reels he obtained from friends who worked as TV cameramen. Similarly, I salvaged magnetic tape from my workplace, the Équipe sound studio. Film professionals looked down on him because he filmed everything on his own, without relying on technicians. The remarks became even more disparaging when they saw the quality of the result. Thierry shot this film gradually, just getting by, progressing intermittently, but he had a precise idea and memory of the framing and sequences. He really did a great job, as if he had the entire edit in mind from the start. The first shot had to be the right one. He showed me the film sequence by sequence when he editing was over. This was how he worked, and that's why it took him so long getting the right splices, the right light, etc. Thierry handled the framing and the lighting himself. His black-and-white work is unique; he operated within constraints, which is how creativity often flourishes. Thierry had a story in mind, and in the end, he achieved exactly what he wanted. The performance of actor Dominique Garny, for instance, and his aptitudeŠ it helped a lot. They spent hours together in the cold, in the mud. As the shooting progressed, I suggested samples of sounds obtained from my machine. This was what he wanted: bottle sounds. There isn't a single direct sound in the film-it's all dubbed. I never distinguished music from the rest of the soundtrack. The idea of a "sound object" never left me, and I've always kept that direction in mind when composing. One day, Thierry stopped by while I was working on a documentary about Saint Augustine, for which I was using a tune by Monteverdi. He told me about a certain sequence from his film, and I had the feeling that this music would work wonderfully with that sequence if I slowed it down to the extreme, to the point that it would be unrecognizable. Very rudimentary special effects. I had manipulated music sung by castrati this way for O Sidarta, and he liked it. My suggestion was accepted.

Tracklist
A1    Perotinus*–    Alleluja Nativas    2:14
A2    Anonymous–    Passamezzo    1:40
A3    Alain Pierre–    Sans titre 1    1:06
A4    Alain Pierre–    Sans titre 2 + cloches    1:15
A5    Alain Pierre–    Sans titre 3    0:20
A6    Fillippo Azzaiolo–    Al di dolce ben mio    1:40
A7    Perotinus*–    Alleuja Nativas    1:23
A8    Alain Pierre–    Coit + poules + cloches    3:16
A9    Alain Pierre–    Sans titre 4 + grille    2:07
A10    Claudio Monteverdi–    Duo Seraphim    4:22
B1    Alain Pierre, Perotinus*–    Biberon + Alleluja Nativas    1:45
B2    Alain Pierre–    Serre    0:50
B3    Alain Pierre, Claudio Monteverdi–    cloches 3 + Gloria Patri    3:11
B4    Alain Pierre, Pérotin–    bain + Sederunt principes    2:00
B5    Alain Pierre, Claudio Monteverdi, Pérotin–    Final    14:47