{"title":"2025 Highlights (instock)","description":"","products":[{"product_id":"andreas-o-hirsch-the-salamander-treaty","title":"Andreas O. Hirsch – The Salamander Treaty","description":"\u003cp\u003eLabel: makiphon – makiphon 007\u003cbr\u003eFormat: Vinyl, LP, Album, Limited Edition\u003cbr\u003eCountry: Germany\u003cbr\u003eReleased: 4 Apr 2025\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Downtempo, Leftfield\u003c\/p\u003e\n\u003cp\u003eHow are your sea legs???  Weird, woozy, lopsided rhythm-play for invented instruments from Cologne artist Andreas O. Hirsch on his own Makiphon label.  \u003c\/p\u003e\n\u003cp\u003eIn a musical landscape of endless plagiarism, re-appropriation and heavy-handed sampling it’s gotta be difficult for any artist to find their voice.  Hirsch continues to fly well under the radar but his practice of inventing his own instruments (Carbophone, Electrified Palm Leaf??) maintains a sound that’s both distinctive and recognisable.  It’s irresistibly trippy and dub-destroyed… Hirsch’s plucked carbophon notes sound like Francis Bebey’s mollifying m’bira keys that have been doused in echo + delay then plunged into a deep watery abyss Porter Ricks style.  The whole Werkbund \/ Mechthild Von Leusch linage also feels aesthetically within reach, yet without all the doom and gloom of the mysterious Hamberg sect - Hirsch manages to inject a sense of fun, almost humour (!) into this music which would undeniably pair well with any lysergic accompaniment of your choosing.  A perfect oneway ticket to an exotic imagery land where a different type of lizard is in charge.. (Mint \/ New - with free DL \/\/ shops pls ask for wholesale).\u003c\/p\u003e\n\u003cp\u003eOver the years, Andreas O. Hirsch has shaped a distinctive sound, exploring the possibilities of the electro-acoustic instruments he constructs. The Carbophone as well as the Electrified Palm Leaf are plucked instruments akin to the African Kalimba or Mbira. In combination with effects and loops, Hirsch creates an experimental space, influenced by early electronics, Asian and African music as well as the possibilities of editing and collage. The majority of the pieces on The Salamander Treaty were made using the Carbophone Jr., a small traveling version of his original Carbophone which was the basis of the previously released Early Carbophonics. Shaped by the joy of discovery, the eight tracks traverse peculiar worlds of sound, carried by a warm downbeat and analogue vibe. Alongside the Carbophone Jr., other instruments come into play: a vibrato-soaked guitar leads through the slowly evolving ‘Rise’, marked by a recurring Shepard tone and sounds made by striking the bars of an antique wall clock. In the straightforward yet sub-aquatic ‘Teatime Unlimited’, a pitch-shifted Morse key wanders erratically in the background. Tape-delayed harmonicas serve as a flying carpet for ‘Drifting Newts’, and rubber bands make their melodic-rhythmical appearance through ‘Back Door Minimal’.\u003c\/p\u003e\n\u003cp\u003eThe Salamander Treaty refers to War with the Newts, a prophetic and black-humoured science fiction novel by Karel Čapek from 1936, which tells the story of the rise of the salamanders, who become increasingly intelligent and eventually begin to compete with mankind. The album is a pacifist response to this dark scenario: Hirsch’s salamanders prefer to hang out under the stars (‘Drifting Newts’), drink tea (‘Tea Time Unlimited’) and — as illustrated on the back cover — write conspiratorial-pacifist demands instead of calling for war (e.g., ‘Teaoism International’, ‘White Lilies’, ‘For Congress’). In image and word, the album invites looking at the term ‘treaty’, which phonetically contains the words ‘tree’ and ‘tea’, as a friendly reminder that the drafting of every treaty and agreement on this planet should be accompanied by a peaceful spirit. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eA1        Back Door Minimal    2:57\u003cbr\u003eA2        Rise    4:24\u003cbr\u003eA3        Drifting Newts    4:47\u003cbr\u003eA4        Teaoism International    3:00\u003cbr\u003eB1        Parade    3:48\u003cbr\u003eB2        White Lilies    3:19\u003cbr\u003eB3        For Congress    4:25\u003cbr\u003eB4        Teatime Unlimited    2:40\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":55404952781182,"sku":"makiphon 007","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_71952.jpg?v=1743678274"},{"product_id":"donna-allen-2nd-song-diary-atom-ic-citizen-of-the-dying-empire","title":"Donna Allen – 2nd Song Diary: Atom-ic Citizen Of The Dying Empire","description":"\u003cp\u003eLabel: Ever\/Never – e\/n-084\u003cbr\u003eFormat: Vinyl, 12\", 45 RPM\u003cbr\u003eCountry: US\u003cbr\u003eReleased: 7 Mar 2025\u003cbr\u003eGenre: Rock, Pop\u003cbr\u003eStyle: LOFI\u003c\/p\u003e\n\u003cp\u003eSinger-songwriter Donna Allen (Chronophage, Love \u0026amp; Compassion) is back with her second Song Diary. Her distinct style of Alt-Folk blooms with personal musings and religious motifs, soaring to reach out and make a connection with anyone who listens with their heart. Recorded with Sasha Stroud at Artifact Audio, these songs want to sit on the couch and hold your hand in the early morning light. (Mint . New)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eA1        Tip Of An Angel's Wing\u003cbr\u003eA2        Nightmare Of Dawning\u003cbr\u003eA3        Candle-Watching\u003cbr\u003eA4        Naked, Biological, Free\u003cbr\u003eA5        St. Peter\u003cbr\u003eA6        Embrace Of The Embassy\u003cbr\u003eB1        Our Very Own\u003cbr\u003eB2        Telescope Of Heart\u003cbr\u003eB3        Blue River\u003cbr\u003eB4        Spirits In Flight\u003cbr\u003eB5        It's Raining\u003cbr\u003eB6        Flowers Bloom In Heat Of Movement\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":55476931002750,"sku":"e\/n-084","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_7960_db1438a1-9f91-4978-b7fb-468276590ce2.jpg?v=1744977660"},{"product_id":"terre-thaemlitz-snowflakes-dog-whistles-best-electroacoustic-ambient-sexpanic-1995-2017","title":"Terre Thaemlitz – Snowflakes \u0026 Dog Whistles: Best Electroacoustic Ambient \u0026 Sexpanic 1995-2017","description":"\u003cp\u003eLabel: Comatonse Recordings – C.035\u003cbr\u003eFormat: 2 x CD, Compilation\u003cbr\u003eCountry: Japan\u003cbr\u003eReleased: 1 Dec 2024\u003cbr\u003eGenre: Electronic, Non-Music, Stage \u0026amp; Screen\u003cbr\u003eStyle: Electroacoustic, Ambient, Experimental, Modern Classical, Sound Collage, Spoken Word\u003c\/p\u003e\n\u003cp\u003eImmense electroacoustic works and Trojan horse tactics spanning a 20 year timespan within the labyrinthine career of mastermind Terre Thaemlitz.  \u003c\/p\u003e\n\u003cp\u003eThis really is the one we’ve been waiting for.  Thaemlitz’ ambient \/ computer music releases of the mid-90s, most notably on the defunct Mille Plateaux label along with Soil on Instinct Ambient, were pretty much the gateway drug into a musical world we haven’t left since.  With most now out of print, Snowflakes \u0026amp; Dog Whistles rounds up material from a range of otherwise forgotten titles, re-presented with accompanying 9000 world essay that’s surely as poignant now as ever.  \u003c\/p\u003e\n\u003cp\u003eSnowflakes assembles the stylistically, more commonly codified ‘ambient’ or as she puts it ‘pretty’ material within her oeuvre.  Often beatless, free-floating and unfathomably DEEP, tracks like ‘Agnostiko sa Dabaw’ exhibit Thaemlitz’ unrivalled ear for delicately detailed soundscapes and acute psychoacoustic sub-bass spatialisation effects that possess an anaesthetic affect.  Whereas the meditative piano motifs and and decaying catholic prayer loops of ‘Canto I: Rosary Novena For Gender Transitioning’ displays an uncanny ability of using collaged sound to create atmosphere and tension whilst raising questions.  \u003c\/p\u003e\n\u003cp\u003eDog Whistles gathers up Terre’s more chaotic sample-based material, often overtly exploring (and heavily critiquing) themes of gender, sexual varience and Neo-liberalism.  Equipt with a wry, almost self-deprecating sense of humour, Thaemlitz’ is able to present the absurdity and hypocrisy within modern society alongside the pink-washing of queer culture through razor-sharp juxtaposition of soundbites.  \u003c\/p\u003e\n\u003cp\u003eIt’s like a dense thematic time-compression.  Undoubtably heavily loaded music, intensely enjoyable and conceptually engaging.  Honestly this is the stuff that’s so close to our hearts, no one does it better.  (Mint \/ New - with x2 posters).\u003c\/p\u003e\n\u003cp\u003e\/\/\/\/\/\u003c\/p\u003e\n\u003cp\u003eSnowflakes \u0026amp; Dog Whistles: Best Electroacoustic Ambient \u0026amp; Sexpanic 1995-2017 is a double-CD compiling twenty-nine of Terre Thaemlitz' best electroacoustic ambient and computer music works produced between 1995 to 2017, including many special edits only available on this release. The majority of these tracks have been physically out of print for decades, and were originally released on a variety of labels including Mille Plateaux, Daisyworld Discs (Haruomi Hosono of YMO's private imprint), Instinct Ambient, Caipirinha Productions, and of course Thaemlitz' own Comatonse Recordings. The first disc, Snowflakes, focuses on tracks that are more conventionally ambient or perhaps even \"pretty.\" Dog Whistles, the second disc, compiles tracks featuring a chaotic array of samples and sounds that are more overtly related to themes of gender- and sexual variance.\u003cbr\u003eThaemlitz frames the tracks with a new 9000 word essay spread across two large posters, providing a basic introduction to the underlying topics, ideas, contexts and histories behind electroacoustic ambient - both as a genre in the broader sense, and in specific relation to her own work. From the text:\u003c\/p\u003e\n\u003cp\u003eMost of the questions posed over the years in these tracks remain in tension with contemporary mainstream views, including those coming from the LGBT establishment. In this way, one might say a thread running through my projects is that they remain \"unlistenable\" to most. Any potential critical use value of these tracks emerges from understanding how they are utterly symptomatic of a particular social system - even in their dissonance. Or, to be more precise, because of their dissonance.\u003cbr\u003eSelf-released on Comatonse Recordings with custom packaging hand assembled by Terre herself, the package includes two CDs in an archival vinyl pouch with two double-sided insert cards (100mm x 100mm), phonograph style anti-static inner sleeves, and two 4x4 panel poster insert printed on newsprint (472mm x 472mm).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eSnowflakes    \u003cbr\u003e1-1        Means From An End I: Means From An End    10:25\u003cbr\u003e1-2        Entre L'Action Et Le Deuil.001    2:13\u003cbr\u003e1-3        Resistance To Change III: Resignation    3:16\u003cbr\u003e1-4        Resistance To Change IV: Tranformative Nostalgia    3:07\u003cbr\u003e1-5        Residual Expectation [Edit]    6:33\u003cbr\u003e1-6        Agnostiko Sa Dabaw [Edit]    5:55\u003cbr\u003e1-7        Rambles (Down in the Park) [Edit]    8:17\u003cbr\u003e1-8        Canto I: Rosary Novena For Gender Transitioning (Alt. 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[Edit]    17:29\u003cbr\u003e1-9        Means From An End VI: End To A Means    8:15\u003cbr\u003e1-10        The Dream Will Carry Me [Edit]    1:15\u003cbr\u003e1-11        Homeward [Edit]    6:20\u003cbr\u003e1-12        A Quiet Of Intimacy Mirrors Distance [Edit]    5:22\u003cbr\u003eDog Whistles    \u003cbr\u003e2-1        Means From An End IV: Means To A Means    7:37\u003cbr\u003e2-2        One (Strength In Numbers)    3:45\u003cbr\u003e2-3        There Was A Girl\/There Was A Boy.INTERSEX    5:38\u003cbr\u003e2-4        What Is Between Is Missing    7:35\u003cbr\u003e2-5        Genrecide (I Wish Tricky'd Die Any Way I Hope) [Edit]    5:20\u003cbr\u003e2-6        Cycles [Edit]    3:55\u003cbr\u003e2-7        Names Have Been Changed [Edit]    6:55\u003cbr\u003e2-8        Little Girls Couldn't Murder Anyone [Edit]    5:35\u003cbr\u003e2-9        Admit It's Killing You (And Leave) [Edit]    3:08\u003cbr\u003e2-10        Taking Stock In Our Pride    2:47\u003cbr\u003e2-11        There Was A Girl\/There Was A Boy.WENDY    2:05\u003cbr\u003e2-12        Trans Am (Transgendered American) [Edit]    3:24\u003cbr\u003e2-13        She Maybe May Be... 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Taking the form of a proficient and emphatic high-jump, with a recording of its sound, and a spoken text, amplified through the strings of an abandoned piano occupying the same space. The resulting photographic and sound documents formed the basis of an audio correspondence between Rick Myers, Andy Votel and Sean Canty which was recorded and arranged between Easthampton Mass. and Manchester from 2018 to 2024.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Boundary simulation\u003cbr\u003eA2. Impulse\u003cbr\u003eA3. Limb movement\u003cbr\u003eB1. Line inclination\u003cbr\u003eB2. 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This fourth collaborative LP addresses the inherent fluidity of cultural memory, accepting our inability to remain fixed in the past, and explores how best to carry its spirit forward into an ambiguous future.\u003c\/p\u003e\n\u003cp\u003eThrough extensive research into 50 years of Persian pop, they meticulously reinterpret the legacies of artists like Andy, Hayedeh, and Fereydoun Farrokhzad, refracting samples by way of gritty beat work-outs akin to more contemporary musicians like Rezzett and Madlib. Through extensive archival research and sampling, they recontextualise these iconic melodies, placing reverie and frenetic drum programming in conversation with one another in a fashion that seeks to express a sense of two disparate tendencies cohabiting together, all while refusing homogenization. This reimagining extends beyond mere homage, serving as a conduit for exploring the narratives of migrant experiences, both in the UK and globally.\u003c\/p\u003e\n\u003cp\u003eSonically ‘Of No Fixed Abode’ plays with new sampling techniques, utilising the quick-fire intensity of the Roland SP404 with the cool precision of digital DAWs, and features collaborations with drummer Jason Nazary, sound artist Aria Rostami (both New York based), New Zealand-based mHz, and a vocal collaboration with London-based artist and musician Raheel Khan.  (Mint \/ New)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e1        Without Any 8:18\u003cbr\u003e2        Kiarostami's Stash    3:17\u003cbr\u003e3        Infidelian 3:51\u003cbr\u003e4        GodspeedU    3:45\u003cbr\u003e5        Organs Without Borders 2:39\u003cbr\u003e6        May Plastic Blossom In Spring's Air    2:56\u003cbr\u003e7        Vulnerable In A Spreadsheet    4:21\u003cbr\u003e8        I See Machines 3:39\u003cbr\u003e9        Kick It Until It's Bent    4:01\u003cbr\u003e10        Close Your Eyes Okay Now Open Them    4:46\u003cbr\u003e11        Children Of Alcoholics Drunk On Revolution    5:15\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Saint Abdullah \u0026amp; Eomac - Of No Fixed Abode (Full Album)\" src=\"https:\/\/www.youtube.com\/embed\/qXJMvCNS5TE\" height=\"240\" width=\"387\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":55910126125438,"sku":"TTT112","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_1603_db5fd46c-75d4-48d1-ad50-0f5cae328f4d.jpg?v=1751640137"},{"product_id":"the-lo-yo-yo-the-lo-yo-yo","title":"The Lo Yo Yo – The Lo Yo Yo","description":"\u003cp\u003eLabel: Concentric Circles - CC-011\u003cbr\u003eFormat: LP\u003cbr\u003eCountry: USA\u003cbr\u003eReleased: August 2025\u003cbr\u003eGenre: Rock\u003cbr\u003eStyle: Alternative Rock, Lo-Fi\u003c\/p\u003e\n\u003cp\u003eLondon’s The Lo Yo Yo was conceptualized by John “Alig” Pearce in 1984 after his primary group, the deservedly legendary Family Fodder, went dormant. Soon enough a few others were enlisted to round out the quartet, including Mick Hobbs of The Work and Officer! fame, alongside friends Joey Stack and Carrie Brooks. The Lo Yo Yo took elements from their other groups and, in the tradition of somewhat like-minded acts like The Raincoats, Naffi and Amos \u0026amp; Sara, added a strong dub\/reggae element.\u003c\/p\u003e\n\u003cp\u003eShortly before their lone studio LP, which was recorded by Charles Bullen of This Heat fame, the band self-recorded a demo tape at home on an eight track reel to reel, reissued here on vinyl for the first time by Concentric Circles. It is a wonder of DIY production with a rich and layered sound that belies their humble means. Although about half of the songs on the demo would wind up being re-recorded for the studio LP, the demo versions are radically different from what is heard on their proper album. There is a feeling of intensity to the demo that was missing from the LP, which had a noticeably cleaner fidelity and more subdued playing. Here the band plays with true force and determination, with Stack’s socialist leaning lyrics taking on an extra sharp bite. Unafraid to show off their skills at writing irresistibly catchy pop songs, things are carried on by Alig’s big bass sound and a barrage of polyrhythmic dueling drums and percussion. The Lo Yo Yo tapped into a truly special sound, perfectly exemplified on these recordings.\u003c\/p\u003e\n\u003cp\u003eJust when you think you’ve completed the puzzle of arty, dubby 80s post-punk, a stray piece is found on the proverbial floor, just waiting to be picked up. If you aren’t dancing around the room by the end of this album, you need to visit the foot doctor. Concentric Circles is delighted to bring this barely heard, infectious album from The Lo Yo Yo to modern audiences for the first time. (Mint \/ New - shops pls ask for wholesale)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eA1        China Blue\u003cbr\u003eA2        Extra Weapons\u003cbr\u003eA3        You Never Know\u003cbr\u003eA4        Can't Keep Me Down\u003cbr\u003eA5        My Volcano\u003cbr\u003eB1        More To Come\u003cbr\u003eB2        Petroleum\u003cbr\u003eB3        Gawping\u003cbr\u003eB4        No Answers\u003cbr\u003eB5        Bad Intentions\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":55983786131838,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_2476_3623d883-58d2-4757-8a5e-8a68064ccf61.jpg?v=1753191956"},{"product_id":"electroscope-where-the-oscilloscope-meets-the-magic-eye","title":"Electroscope – Where The Oscilloscope Meets The Magic Eye","description":"\u003cp\u003eLabel: Not on label - none\u003cbr\u003eFormat: Cassette, Single Sided, reprint\u003cbr\u003eCountry: UK\u003cbr\u003eReleased: 2025\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Abstract, Experimental, Ambient\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHome-brewed and impulsive domestic psychedelia.  What a feeling it is to discover a new band.  Well that’s was it was for us at least.  Jed of Concentric Circles recently brought to our attention this amazing debut 1996 cassette from Glasgow duo Electroscope and we’ve been hooked ever since.  To us there’s hints of early Marine Girls innocence mixed with the almost songs of Crawling With Tarts, conjuring images of weed-hazed Glasgow Art School dorm rooms and bubbling lava lamps.  Wasting no time we’ve managed to produce a facsimile reprint of the original cassette (along with a scattering of other Electroscope titles).  Over to Jed to put this into context…\u003c\/p\u003e\n\u003cp\u003e''There was a trend in 90s indie music, where groups\/musicians\/whatever would issue a steady stream of 7”s and split 7”s (not to mention endless compilation appearances), sometimes at a clip that was hard to keep up with, even for the most rabid fan.  At the time, 7”s were incredibly cheap and quick to produce, so they were a low barrier entry point to get your newest ideas out into the world.  Glasgow’s Electroscope were one such group, or in this case a duo, who released one 7” after another on labels all across the globe, with little musical ideas and themes being given a chance to percolate and gestate in equal measure.  I think it's important to contextualize this music in that framework, since as was typical for DIY recording projects, the ideas were flowing so quick that it was important to simply get your ideas out and move onto the next.  But I somewhat digress from the get-go, since for Electroscope, as with many, it all began with a humble cassette tape, a reissue of which you will hopefully be holding in your hands soon.\u003c\/p\u003e\n\u003cp\u003eTo me, Electroscope have always sounded like the musical equivalent of Jules Verne or Georges Méliès, shot through tufts of cumulus clouds up to the stars and the moon.  A farfisa organ drones away while incandescent voices, male and female, murmur in and out of the mix.  Melodic and minimal guitar lines intermingle with a VCS3 synthi and clarinets drenched in reverb, the faintest sketches of a song emerging from the haze.  Bits of the doomed romanticism, idyll and fried charms of Syd Barrett and Joe Meek peek their heads up at times too, like a surreal dream that is half remembered.  Electroscope, born in the mid 90s, brings to mind both the turn of- and mid-century fascination with the future and space travel.  An alluringly wide and starry eyed fascination with the world, still imbued with a sense of innocence and anticipation about the unknown, faraway and skyward places.  \u003c\/p\u003e\n\u003cp\u003eAlthough they were appreciated during their initial tenure, Electroscope has become unfairly forgotten over the years.  This is the first time that any of their music has been made available again, in a physical format at least, for modern listeners.  An enchanting possibility lurks around every corner, with Gayle and John Electroscope as your trusty guides.  Enjoy.''  (Mint \/ New - with free instant download)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eA1        Wattle \u0026amp; Weave\u003cbr\u003eA2        Ugaldugal\u003cbr\u003eA3        Octal Starvision\u003cbr\u003eA4        Lament For The Lost 70\u003cbr\u003eA5        Pan Pose\u003cbr\u003eA6        RPM Overload\u003cbr\u003eA7        Soldering For Beginners\u003cbr\u003eA8        Freespirit Frequency\u003cbr\u003eA9        Battle Of The Bees\u003cbr\u003eA10        Barbalite\u003cbr\u003eA11        Telephone Suicide\u003cbr\u003eA12        Weave \u0026amp; Wattle\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56026061046142,"sku":"none","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/Untitled.png?v=1753994695"},{"product_id":"russell-walker-back-to-the-womb-1","title":"Russell Walker – Back To The Womb","description":"\u003cp\u003eLabel: Regional Bears – RB57\u003cbr\u003eFormat: Vinyl, LP, Album\u003cbr\u003eCountry: UK\u003cbr\u003eReleased: Apr 2025\u003cbr\u003eGenre: Electronic, Non-Music\u003cbr\u003eStyle: Spoken Word, Experimental\u003c\/p\u003e\n\u003cp\u003eStockport’s Regional Bears unleashes their label MVP Russell Walker for what seems to be their debut solo album proper on ‘Back To The Womb’ - a rambling masterclass of British banalities and suburban dread.\u003c\/p\u003e\n\u003cp\u003eWhat’s it like to be from these dogged isles?  Everyone’s experience is likely to be very different, but it’s safe to assume that whilst from the outside English life is a carousel of lawn tennis, Pimm’s, cosy homestays in the Cotswolds and trips to Harvey Nic’s, the reality is cruising the reduced isles in Aldi, trudging up a regional high-street of decaying charity shops and circuitous bus journeys in the pissing rain.  Walker’s maundering sound-poetry and tape music cut ups captures the ENDLESSLY mundane aspects of British life and reflects them back at us to reveal their utterly ludicrous and undeniably hilarous qualities.  ‘I didn’t think you’d go woke Julie’, ‘chode’, ‘splitting the G’ - Back To The Womb could be used as a future time capsule of vernacular British language.  Perfectly delivered with an acutely wry and massively understated tone, Walker’s short vignettes go everywhere and nowhere, scouring the racks of his local CEX to downing VKs in his local Wetherspoons.  This is England??  It is for us.  (Mint \/ New).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eA1        Julie's Gone Woke\u003cbr\u003eA2        Nanny\u003cbr\u003eA3        Drenched In Feedback\u003cbr\u003eA4        Where Did He Go\u003cbr\u003eA5        The Hub I Run With\u003cbr\u003eA6        Do You Know Where The Ground Is?\u003cbr\u003eA7        Walker 18\u003cbr\u003eA8        Target Man\u003cbr\u003eA9        1998\u003cbr\u003eA10        The Spines\u003cbr\u003eA11        Dyspraxia Bay\u003cbr\u003eA12        Little Omens\u003cbr\u003eB1        I Love My Soaps\u003cbr\u003eB2        Tatchell Of The Straights\u003cbr\u003eB3        Gobsmacked!\u003cbr\u003eB4        Cassio\u003cbr\u003eB5        Sellotape\u003cbr\u003eB6        Russell Walker's 18th Birthday\u003cbr\u003eB7        Sleeping Is A Young Man's Game\u003cbr\u003eB8        The Quest\u003cbr\u003eB9        This Could Be The Last Time\u003cbr\u003eB10        The Cloud Stands Up\u003cbr\u003eB11        The Restaurant Was Me\u003cbr\u003eB12        Untitled\u003cbr\u003eB13        Chariots Of Fire\u003cbr\u003e\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56065165492606,"sku":"RB57","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_75692.jpg?v=1744297423"},{"product_id":"randy-greif-alva-svoboda-easy-green-proof-1","title":"Randy Greif \u0026 Alva Svoboda – Easy Green Proof","description":"\u003cp\u003eLabel: Tribe Tapes – TRIBE 077\u003cbr\u003eFormat: CD, Reissue, Remastered\u003cbr\u003eCountry: US\u003cbr\u003eReleased: Feb 2025\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Industrial\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst on-record meeting of Randy Greif and long-time conspirator Alva Svoboda. A more abstract, electronically-processed work than their collaborative tracks on Golden Joy Club or Shadow Traders..(Mint \/ New)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e1        The Birth Of Tragedy    1:58\u003cbr\u003e2        A Thing You Don't Say    2:06\u003cbr\u003e3        Deep In The Mess Of Night \/ Infinite Egress    4:51\u003cbr\u003e4        The Marvelous Free Standing Works    4:34\u003cbr\u003e5        The Bug Colony    5:55\u003cbr\u003e6        Dark Circus    5:08\u003cbr\u003e7        Here The Mildew Spreads \/ Gifts To The Sand    6:29\u003cbr\u003e8        Expression Has A Handle    4:57\u003cbr\u003e9        Your Hairlessness Goes Unremarked    6:05\u003cbr\u003e10        Doing The Small Things \/ Slowly The Tribe Wakened    8:31\u003cbr\u003e11        Defenders Of Custom    0:32\u003cbr\u003e12        Until The Hills Shake    2:31\u003cbr\u003e13        Beyond The Walls    4:57\u003cbr\u003e14        Defenders Of Custom (Reprise)    3:41\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"387\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/7dwFYfkYteg\" title=\"Alva Svoboda, Randy Greif - Deep In The Mess Of Night\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56100934680958,"sku":"TRIBE 077","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_3663_53680fb3-252a-44b8-a039-aa2ec5193324.jpg?v=1755273400"},{"product_id":"troubadours-everything-is-being-recorded-all-the-time","title":"Troubadours - Everything Is Being Recorded All The Time","description":"\u003cp\u003eLabel: Few Crackles – FC08\u003cbr\u003eFormat: Vinyl, 12\", 33 ⅓ RPM\u003cbr\u003eCountry: France\u003cbr\u003eReleased: 2025\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Experimental, Abstract, Hip-Hop, Downtempo,\u003c\/p\u003e\n\u003cp\u003e!!!!!  (Mint \/ New - 1 per person).\u003c\/p\u003e\n\u003cp\u003eTroubadours is a tentacular collective oscillating around Laura Lippie, Kim Khan and Dr Winzo. \u003c\/p\u003e\n\u003cp\u003e“Everything Is Being Recorded All The Time” is the result of three years of sonic explorations in Lyon, Abbecourt, Berlin and Den Pasar, carving hours long studio jams into deep, narcotic mutated funkiness. \u003c\/p\u003e\n\u003cp\u003eTraditional instruments and high-tech ones are invoked to confront beauty and misery : the system is contemplated through dilated pupils. We’re beyond happy to welcome you on board for the journey : whether you find it nerve-racking or soul-soothing is no longer our responsibility. Expect the unexpected…\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. ADROPISADROPISADROP    \u003cbr\u003e2. FURCIFER    \u003cbr\u003e3. FACETIME WITH MY SOUL    \u003cbr\u003e4. INTERIOR RAINBOW    \u003cbr\u003e5. FENTYNOL    \u003cbr\u003e6. REALISTIC AVATAR    \u003cbr\u003e7. TON \u0026lt;3    \u003cbr\u003e8. ITS ALWAYS BEEN HERE\u003c\/p\u003e\n\n\u003cwidgetic id=\"68cbf946ecb2a1c06e8b4567\" resize=\"fill-width\" width=\"500\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\u003cscript async src=\"https:\/\/widgetic.com\/sdk\/sdk.js\"\u003e\u003c\/script\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56270871921022,"sku":"FC08","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_5060_8b0bfa53-7b67-40c8-8d88-9453340b80ef.jpg?v=1758197975"},{"product_id":"keith-inabit","title":"Keith – inabit","description":"\u003cp\u003eLabel: None\u003cbr\u003eFormat: Cassette\u003cbr\u003eCountry: UK\u003cbr\u003eReleased: 2025\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Abstract, Lo-Fi, Experimental\u003c\/p\u003e\n\u003cp\u003e!!!!! Words incom'th (Mint \/ New)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 – Calverts Court (V6)\u003cbr\u003eA2 – i work with animals\u003cbr\u003eA3 – battered\u003cbr\u003eB1 – DRIP TAKE DRUDGE\u003cbr\u003eB2 – stacking pots\u003cbr\u003eB3 – Παγκράτι\u003cbr\u003eB4 – dON’T mESS wITH oZZY\u003cbr\u003eB5 – Knee Pad\u003cbr\u003eB6 – battered (returns)\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56342074065278,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_5791_db50d750-a301-419a-97a1-f5e4b4de458e.jpg?v=1759411171"},{"product_id":"marcello-jori-moldau-b-smetana-on-moldau","title":"Marcello Jori – Moldau (B. Smetana) On Moldau","description":"\u003cp\u003eLabel: Edizioni Morra – ED. MN 2\u003cbr\u003eFormat: Vinyl, LP, Album\u003cbr\u003eCountry: Italy\u003cbr\u003eReleased: 1978\u003cbr\u003eGenre: Electronic, Non-Music, Classical\u003cbr\u003eStyle: Field Recording, Contemporary\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLegendary Italian sound-art edition from Merano-born artist, designer, visual artist and all-round polymath Marcello Jori published via the iconic Fluxus \/ avant-garde institution Edizioni Morra - unplayed late 70’s deadstock !\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEstablished in 1974 by Giuseppe Morra to document the emerging international avant-garde Fluxus movement, Studio Morra sought to capture the the subversive potential of the movement, specially Viennese Actionism and Body Art (with artists like Hermann Nitsch), whilst the Radiotaxi splinter series documented the sound-poetry scene from artists like Bernard Heidsieck, Philip Corner, Henri Chopin and Dieter Roth’s Selten Gehörte Musik unit.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis late 70s edition from Marcello Jori is a tale of two halves.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe A-side is a conceptual collage piece where Jori focuses on Czech composer’s Bedřich Smetana’s formidable symphonic orchestral work ‘Moldau’.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAs the piece seeks to to evoke the flow of the mighty Vltava River, Jori set off to record the actual river and surrounding area itself, blending the field recordings with the rousing classical passages.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt sort of works as a hijacked or subverted rendition of the dynamic piece, returning it to its homeland and asking questions related to time, space and origin.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eBeautifully contrasting, the B-side piece ‘\"O Positi Sub Terra Numina Mundi…” is a tranquil, minimalistic passage for the harp.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eTaking influence from a segment of Roman Poet Ovid’s 8 CE poem Metamorphoses, it’s an elegantly spaced, soporific movement that seems seems to go everywhere and nowhere all at once, infusing the space it inhibits with a sense of calm and tranquility.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIn reverence to the cherished design of the original Radiotaxi series, we’ve designed and screen-printed our own version of the original to house the original disc.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eOwed to the niche nature of this and quite laborious nature of putting them together, we don’t have many.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e(Mint \/ New - OG deadstock with special screen printed ANF tribute sleeve - 1 per person pls)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eA        \"Moldau\" (B. Smetana) On Moldau\u003cbr\u003eB        \"O Positi Sub Terra Numina Mundi...\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Marcello Jori – Moldau (B. Smetana) On Moldau (1983)\" src=\"https:\/\/www.youtube.com\/embed\/hDXwsr3f35s\" height=\"240\" width=\"387\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56343948362110,"sku":"ED. MN 2","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_5750_ab044066-5faf-4dc0-884f-3102037410be.jpg?v=1759411091"},{"product_id":"jean-marie-mercimek-dans-le-camion-de-marguerite-duras","title":"Jean-Marie Mercimek – Dans Le Camion De Marguerite Duras","description":"\u003cp\u003eLabel: Aguirre Records – ZORN109\u003cbr\u003eFormat: Vinyl, LP, Album, Limited Edition\u003cbr\u003eCountry: Belgium\u003cbr\u003eReleased: 6 Jun 2025\u003cbr\u003eGenre: Electronic, Pop, Children's, Folk, World, \u0026amp; Country\u003cbr\u003eStyle: Ambient, Experimental\u003c\/p\u003e\n\u003cp\u003eThe road is a wrinkled timeline. Uncanny flatness conceals unfolding textures, transparent layers and open tabs. The truck cuts the landscape, tracing the road with a line of mad logic that composites time, space, thought. On “Le Camion de Marguerite Duras,” French duo Jean-Marie Mercimek have returned with a road movie for the blind. Composed and recorded by Marion Molle and Ronan Riou over six years across France and Belgium, this unlikely distillation of microtonal MIDI composition, French B.O., and post-punk chansons brazenly expands the duos’ penchant for lowkey narrative spectacle.\u003c\/p\u003e\n\u003cp\u003eAcross “Le Camion,” sounds form a theatrical screen. Our ears are the curtains drawn wide and listening with a look that pans across the shot. No title cards, they cut straight to action. The truck is a camera, zooming and framing the tracks as scenes. Songwriting and sound design blur in a tangle of delicate economy. The balance of mutant music-boxes and dewy miniatures recalls otherworldly hits from Gareth Williams’ Flaming Tunes, Residents, and catchier corners of the Lovely Music catalog. Strange, sure, but this flick is never quite a cartoon. Molle and Riou’s vocals dilate into a cast of very human characters. Voices sing borrowed texts like untrained actors (playing themselves, in fact) stepping into the frame once before disappearing forever. And when they’re gone, you miss them. But here in the truck, it all comes back again under the cyclic spell of repose in perpetual motion. Turn up the radio and appuyez sur le champignon. - Turner Williams Jr.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eA1        Le Camion    4:06\u003cbr\u003eA2        Jambe De Cuir    2:05\u003cbr\u003eA3        Une Bouche Regardée    4:25\u003cbr\u003eA4        Sommeil Lointain    3:14\u003cbr\u003eA5        Un Point Sur La Carte    3:28\u003cbr\u003eB1        A La Pêche O Crevetes    4:02\u003cbr\u003eB2        Fiévreuse    1:42\u003cbr\u003eB3        Ouvrir Et Recoudre    5:37\u003cbr\u003eB4        Sanguine    3:54\u003cbr\u003eB5        D'Ombres    3:19\u003c\/p\u003e\n\n\u003ciframe width=\"853\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/fs-oiZn7fUs\" title=\"Jean-Marie Mercimek - Dans Le Camion De Marguerite Duras\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56373882093950,"sku":"ZORN109","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_6044_f1fd3c60-42fb-4afd-975e-36c3111c13ca.jpg?v=1759930559"},{"product_id":"old-yellow-serpent-old-yellow-serpent-1","title":"Old Yellow Serpent – Old Yellow Serpent","description":"\u003cp\u003eLabel: Early Music  – EM28\u003cbr\u003eFormat: Cassette\u003cbr\u003eCountry: Sweden\u003cbr\u003eReleased: 3 Oct 2025\u003cbr\u003eGenre: Blues\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eEdwin R Stevens and dbh are two jammers-for-life who have been playing together in various constellations for around half of their earthly existence. To my knowledge this is their first duo release, and as such it's appropriately roomy – two 40ish-minute sides of long-form pieces for guitar and fiddle that follow their own winding routes to their own gorgeous ends. (Mint \/ New)\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e1 One\u003cbr\u003e2 Two\u003cbr\u003e3 Three\u003cbr\u003e4 Four\u003cbr\u003e5 Five\u003cbr\u003e6 Six\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56488044003710,"sku":null,"price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_0270_bb3cdb47-4bb6-4b7e-9443-75d80a81a868.jpg?v=1761821773"},{"product_id":"copenhagen-clarinet-choir-anders-lauge-meldgaard-jeux-deau-1","title":"Copenhagen Clarinet Choir \u0026 Anders Lauge Meldgaard - Jeux d'eau","description":"\u003cp\u003eLabel: År Og Dag – AD17, conatala – 009\u003cbr\u003eFormat: Vinyl, LP, Album\u003cbr\u003eCountry: Denmark\u003cbr\u003eReleased: 12 Nov 2025\u003cbr\u003eGenre: Electronic, Jazz, Classical\u003cbr\u003eStyle: Contemporary, Avantgarde\u003c\/p\u003e\n\u003cp\u003eJeux d’eau is the result of an exploratory collaboration between the experimental ensemble Copenhagen Clarinet Choir and Danish composer and performer Anders Lauge Meldgaard. At the heart of the project is Meldgaard’s compositions and performance on New Ondomo—a Japanese instrument modeled on the pioneering French electronic instrument, the ondes Martenot, but what makes the music truly shine is the Copenhagen Clarinet Choir’s vibrant energy and adventurous spirit, bringing Meldgaard’s vision off the page and into a living, breathing soundscape through their playful and imaginative ensemble performance.\u003c\/p\u003e\n\u003cp\u003eThe initial spark for Jeux d’eau was struck during Meldgaard’s visit to the gardens of Villa d’Este in Tivoli, Italy—a place animated by fountains that once inspired Franz Liszt and Maurice Ravel to compose piano works of the same title. Echoing these earlier musical impressions, the project channels that lineage into a new sonic journey. Where some composers of the past often sought to define strict structures, Meldgaard’s work on Jeux d’eau instead offers an open framework—one that invites playful interaction and improvisation among the musicians. Recorded at The Village in Copenhagen, the album is a sonic experience where the organic resonance of the clarinet choir intertwines with the unpredictable textures of the New Ondomo and electronic landscape.\u003c\/p\u003e\n\u003cp\u003eThe work Jeux d’eau is open yet structured, forward-moving yet richly repetitive, drawing clear inspiration from American minimalists such as Terry Riley and Steve Reich, but rather than simply echoing the work of these pioneers, the music explores fresh terrain infused with a lyrical touch of late-romantic European sensibility, where flowing melodies and rich harmonies soften the rigor of repetition. At the same time, the music resonates with the clarity and delicacy that could be associated with Japanese composers such as Jo Kondo or Sueko Nagayo. The result is a sound world that is playful yet profound, one that continually shifts between pulsating momentum and delicate stillness. With each piece, the ensemble invites listeners into a captivating journey where tradition meets experiment, and where collective performance transforms composition into something vividly alive.\u003c\/p\u003e\n\u003cp\u003eConceived as a tribute to water and a reflection on the fragile bond between humans and the natural world, Jeux d’eau is both a sonic meditation and a quiet call to action. Through fluid forms and open notations, the work draws listeners into a space where music mirrors the dynamics of nature—demanding real-time awareness, collective sensitivity, and respect for balance. Like flowing water, the music adapts and transforms, reminding us that our environment, too, is ever-changing and in need of care. In this way, Jeux d’eau does more than celebrate nature’s beauty: it asks us to recognize our responsibility to protect the living systems that sustain us, and to pay caring attention to the world we live in.\u003c\/p\u003e\n\u003cp\u003eJeux d’eau will be released worldwide in digital formats on November 12, 2025, with vinyl editions available in Europe on År \u0026amp; Dag and in Japan via Tokyo based Conatala Records. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e(Mint \/ New - shops pls ask for wholesale)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eA1        Joyfully, We Leave The Tended Garden    1:45\u003cbr\u003eA2        Entering The Fray    4:20\u003cbr\u003eA3        Uncharted Streams    3:11\u003cbr\u003eA4        Xerophyte    3:01\u003cbr\u003eA5        Diffuser Dream    3:13\u003cbr\u003eB1        ’Til Seas Do Us Part    0:47\u003cbr\u003eB2        Effervescence    6:16\u003cbr\u003eB3        Alone Amongst The Blooms And Bees    2:14\u003cbr\u003eB4        Unabashed Waveforms    5:06\u003cbr\u003eB5        ...The End Is A New Beginning...    2:55\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56541320085886,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_0667_c22d86df-60bf-423a-aae3-c8259e4dc249.jpg?v=1762863299"},{"product_id":"takako-minekawa-traces-of-the-ceiling","title":"Takako Minekawa – Traces Of The Ceiling","description":"\u003cp\u003eLabel: tone poem – poem-001\u003cbr\u003eFormat: Vinyl, LP, Limited Edition\u003cbr\u003eCountry: US\u003cbr\u003eReleased: 28 Jun 2025\u003cbr\u003eGenre: Electronic\u003cbr\u003eStyle: Ambient, Experimental\u003c\/p\u003e\n\u003cp\u003e'Traces of the ceiling’ is the new album by Takako Minekawa, an artistic collaboration between Minekawa who composed, performed and recorded the works contained within - and artist Ippei Matsui, who created and designed the accompanying elaborate five-panel fold out sleeve, risograph inserts, and vinyl. ‘traces of the ceiling’ is also the debut release from Portland, Oregon based shop, label, and event series tone poem.\u003c\/p\u003e\n\u003cp\u003e‘traces of the ceiling’ was recorded in los angeles between 2018 and 2020, and many of the works featured on the release were originally created and released (at that time called ‘untitled’) on the occasion of Ippei Matsui’s 2019 exhibition “HOLY VISITOR” held at NO.12 Gallery in Tokyo, Japan - with the titular track composed for this special new release.\u003c\/p\u003e\n\u003cp\u003eThe approach to ‘traces of the ceiling’ is that of a diary - shared between Takako’s intimate musical pieces culled from daily experiences, documented between October and December 2018 (with a single piece recorded in August 2020) - alongside pieces of original silkscreened and risograph printed artwork by Ippei, each with their own unique qualities for the viewer to connect with as an intimate snapshot of the creative process as well as a beautiful intricate momentary work to cherish. In this way, both artists’ contributions to the work contain the essence of shasei (写生), or a momentary sketch of life - presented as a personal snapshot musically and visually, as if an entry in a diary.\u003c\/p\u003e\n\u003cp\u003etone poem is absolutely delighted to release this collaborative work on our in-house label, presented in a very limited vinyl run, by two artists - and friends - whom we respect dearly. Each record was printed and assembled in Portland, Oregon by SP and Secret Room Press, with a five-panel silkscreened folding sleeve and two very special risograph inserts of original artwork by Ippei Matsui. The audio was mastered by Makoto Oshiro.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003eA1        Ikino Ne\u003cbr\u003eA2        Resonating Scenery\u003cbr\u003eA3        Ningyou No Ie\u003cbr\u003eA4        Unevenness\u003cbr\u003eB1        Traces Of The Ceiling\u003cbr\u003eB2        Inokashirasen No\u003cbr\u003eB3        Anoko Yo A Ke\u003c\/p\u003e","brand":"All Night Flight Records","offers":[{"title":"Default Title","offer_id":56620743426430,"sku":"poem-001","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/7755\/6791\/files\/IMG_1100.jpg?v=1764080485"},{"product_id":"mushrooms-patience-la-nueva-normalidad","title":"Mushroom's Patience – La Nueva Normalidad","description":"\u003cp\u003eLabel: Quirlschlängle – QUIRL09\u003cbr\u003eFormat: Vinyl, LP\u003cbr\u003eCountry: Germany\u003cbr\u003eReleased: Dec 2025\u003cbr\u003eGenre: Electronic, Rock, Folk, World, \u0026amp; Country\u003cbr\u003eStyle: Psychedelic Rock, Leftfield\u003c\/p\u003e\n\u003cp\u003eNew Quirlschlangle with return of Mushroom's Patience (Mint \/ New)\u003c\/p\u003e\n\u003cp\u003eWith La Nueva Normalidad, the Rome-based cult band Mushroom’s Patience comes together very deliberately as a tight three-piece: Raf Cerroni, also known as Dither Craf, who has been the artistic force and conceptual mind behind the band since its founding 40 years ago; J. Weber (of Austrian Nový Svět); and Léo Maury (of French Niedowierzanie). It seems I’m not the only one who sees this lineup as the perfect fit – a true supergroup for the band. Alongside their voices and compositions, each member brings a distinct instrumental signature to the album: Weber contributes, in addition to voice \u0026amp; lyrics, accordion, modular synth textures, harmonica, and electronics; Maury provides cello, bass, setar, analogue synth work, and brass\/woodwind colors; while Dither Craf shapes the core with keyboards, guitars, percussion, and programming, and a guest appearance by Vinz Aquarian adds Kaoss Pad on “Never Really Anywhere.”\u003c\/p\u003e\n\u003cp\u003eThe manic-stoic play of diverse instruments that defines Niedowierzanie's unique aesthetic blends effortlessly with Mushroom’s Patience’s approach, especially notable since their first collaboration on Jellyfish in 2014. Since the completion of the Element-Tilogy with Water (2005), For the first time in 20 years, J. Weber returns to lend his unmistakable voice in two languages — German and English – a vocal presence that was set aside 20 years ago and has been missed ever since. To describe the spirit of the project that Dither Craf has been shaping since the ’80s, one would have to get poetic.\u003c\/p\u003e\n\u003cp\u003eMushroom’s Patience has always pursued the musical precision of an ambivalent feeling – one that refuses strict definition because even the person experiencing it cannot fully locate it. There’s a distinctive approach to pain, sadness, and their absurdities, often dismissed as “humorous” – a theatrical expression, stumbling with slapstick-like desperation, which some might interpret as an Italian attribute. Dither Craf has frequently played with imagery like headless chickens, freak-show aesthetics, and band photos featuring arms made of bananas. But looking deeper, you realize that these expressions are more than just black humor or references to artistic movements; the sting goes much deeper, revealing an intricate, layered meaning beneath the surface. Some songs operate on entirely different perceptual levels, with dreamlike images that shift from haunting unease to close, meditative observation. Towering buildings against fiery red sunsets turn into black stripes in the sight, and the world is reimagined: melancholy becomes music, rendered in exaggerated, monstrous forms. Even under sedation, the muscle still twitches, ready to strike.\u003c\/p\u003e\n\u003cp\u003e With La Nueva Normalidad, this intensity gains a new precision, both musically and lyrically. As a reviewer, it’s tricky to classify the music into genres or to compare it to other bands, so I won’t. Yet it’s impossible not to notice the album’s echoes of the ’70s and ’80s – with Dither Craf’s bass lines, glimmering guitar splashes, sharp beats, and the almost soulful, octave-jumping howls of Weber’s instinctive, impulsive vocal surges in some songs. These are images of shiny shoes, shoulder pads, and disco balls flashing briefly, only to vanish in the acid-warped mirror of Mushroom’s Patience's signature sound: an unsettling mix of broken post-industrial and psychotropic-mutated folklore that flickers always just out of focus.\u003c\/p\u003e\n\u003cp\u003eNot only through the front-cover painting – civilization-integrated, normalized monsters rendered in naive-expressionist style by Dither Craf himself – but also through the album’s title, lyrics, and track names, the band adopts a notably political tone. Yet it’s not as simple as it might appear. While La Nueva Normalidad addresses the rise of monstrous forces – malignant double standards, mind-numbing dogmas, and egocentrism disguised as social norms that deceive and confuse – it is far from a straightforward social critique. Instead, the criticism takes shape through shifting, dazzling contradictions that inevitably turn inward. 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(Mint \/ New) \u003c\/p\u003e\n\u003cp\u003eThis is the soundtrack for the feature-length film \"Untamagiru\" by director Takamine Tsuyoshi, known for his Okinawa-themed films. I'd love to have this one on hand alongside his previous work, \"Paradise View\" (by Hosono Haruomi). This is a fantasy Okinawan miniature garden music by Ueno Koji of Guernica, Halmens, and 8 1\/2. While Ueno himself apparently didn't have traditional Okinawan music in mind when he created it, it somehow manages to sound like that melody. This collection of short pieces, filled with sensual colors and fantastical images, is filled with sweet melodies and a dizzying allure. 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